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From tech scout to final wrap — Grip & Gear LLC delivers fully-managed G&E labor, led by an experienced Gaffer who executes your DP's vision safely and precisely.
Producers don't hire Grip & Gear for the gear list. They hire us because when something challenging hits the call sheet — a remote location, a complex rig, a last-minute lighting change — we've already solved it before they ask.
Led by Christopher "BO" Anthony, we bring Vegas's top grip and electric talent together under one roof. You make one call. We handle the rest — from the tech scout to the final wrap.
Whether it's a commercial day rate, a custom rigging build, or a simple interview setup, we show up prepared, safe, and ready to make your DP look great.
Every service is built around outcomes — your DP gets the light, your set runs safely, and your production stays on schedule.
Click any photo to view full screen. Behind-the-scenes — because producers want to see how you build, not just the final frame.
A glimpse at the work Grip & Gear LLC brings to sets across Las Vegas and beyond. Hover to pause.
Labor, expertise, and gear bundled together. No a-la-carte lists — just clear deliverables at a clear rate.
We visit your location before day one — mapping power sources, identifying rigging points, and delivering a Sidus Link lighting diagram before a single piece of gear is packed.
We staff the right crew for your scope — vetted, professional, and familiar with how we run a set. Key gear is pre-rigged and packed before call time. No surprises.
We arrive ready. Our gaffer works directly with your DP to deliver the lighting as designed. Grip Alley stays organized. Problems get solved before the AD ever hears about them.
We wrap clean, handle all the gear, and follow up with notes for future productions. We're not looking for a one-time transaction — we want to be your permanent G&E solution.
"Working with Grip & Gear makes my job significantly easier. The rigs are safe, the light is always exactly where I need it, and the set is clean. That's rare in this market."
"I don't have to think about the G&E department when they're on set. They show up prepared, communicate clearly, and solve problems before I even know one exists."
"The tech scout alone saved us three hours on shoot day. Having a gaffer who thinks in pre-production — not just on set — is worth every dollar on the call sheet."
Tell BO about your project. He'll come back with a clear plan, a fair rate, and a crew that makes you look great.